Henry Lippen built the Hall about 1849, on the drive below Gypsy Lane, and built it grand: the wealthy came down the gorge in sleighs all winter and in carriages all summer, the stables faced the creek, and a cable ferry carried his patrons across the water for five cents. The photographers of 1868 found a white house behind the trees, a low white wall, and a hand-made sign advertising German bitters.
The elegance floated on ice. Lippen cut the creek's winter skin by the thousand tons and stored it in two ice houses — an empire of cold that paid for the music. No photograph of the ice houses has ever been found. The parlour shows you the house; the ice you must take on faith and paperwork.
The paperwork is not kind. In 1884 the city's survey wrote of this house: all wash water direct to creek; the kitchen garbage — lemon skins, oyster shells — heaped on the brook bank above it. The grandest house on the drive, fouling the water like the rest.
In 1885 the Park took the ground, and Henry's son Charles fought the taking the way a man fights for a house that is also a business. The Commission offered a lease at two thousand a year, the ice to be gathered "for family purposes only." Charles countered at one thousand. He was evicted. The Hall's first life ended with a sheriff's arithmetic.
Its second life was a promise. The Park leased the shut house to Nicholas Hayes — boatman and liquor dealer, by the directories — on a no-liquor agreement. In 1890 a newspaper accused him of selling liquor in the Hall without a license. The parlour has looked for that clipping the way you are looking at this page, and has not found it: the accusation stands in this chamber as an open page, unproven either way.
Fire took its share on a day the record keeps badly — the city's accounts settle a loss for this house in April 1927, and a settlement date is not a fire date. Then the law moved in, and stayed: a barracks for the Park Guard, a guardhouse into the 1970s, a police station after that. The grandest house on the Wissahickon spent the twentieth century with a log book on its desk.
It stands yet — repaired at the edges now, seven hundred thousand dollars of mending voted to it — and it admits no one. You are its first guest in fifty years, and you have come the only way left open. So has the parlour.
